The reflections unit focused on the design styles and practices of the 18th and 19th centuries. During this time the industrial revolution had begun and this greatly changed the way the design world was advancing. Styles from other countries were coming together with the trade with china opening up and with faster means of acquiring imports. Exotic imports began to flow across the world and create new styles among Europe. The movement of style across the world can be experience at the Royal Pavilion which was turned into a resort in Europe. The pavilion is in an Islamic style of architecture an the Royal Palace’s interiors were done in a Chinese style creating a multi cultural work.
The battle between depth and surface soon began. This dispute was between depth, such as the placement of items within a space for its natural appearance, and surface, the “decoration” of the space with wall paper and paint. This led the way into the Aesthetic and Arts and Crafts movements.
The Aesthetic movement began and in this movement it was thought that every surface within a structure should be covered by art. There were some who thought that machines should not be used to create multiples versions of a piece and that everything should be hand crafted. This was the view of William Morris who, during the Arts and Crafts movement, became the predominant voice against machinery.
The 19th century began the development of newer and less traditional structures and spaces. The introduction of new materials, technological advancement, and meaning behind design helped to advance the design world in ways that no one could have predicted.
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